American Horror Story: Asylum—Where Crazy Stuff Happens

I made no secret of the fact that I loved the first season of American Horror Story.  The creators and writers produced groundbreaking TV; every episode was filled with eerie, spooky, and creepy storylines with twists and turns week in and week out.  No one was safe, not even the main characters played by major Hollywood actors and actresses.  And the ending?  Well, it wrapped up the Murder House storyline perfectly for the epic first year.

The news of the second season pickup thrilled me; even though the original story wrapped, the continuation of the series, Murder House included, had endless possibilities: fresh new faces with new Murder House residents—new owners would undoubtedly be haunted by the past and would uncover new secrets not yet brought to light in the first season; the ghosts—we all learned that even when dead, no one leaves the Murder House; and heck, even the same characters from season one technically could have continued in one way or another—not everyone died, and even those that did had room to continue with a little creativity.

But Ryan Murphy and Brad Falchuk took season two in an entirely different direction.  Together, they created American Horror Story: Asylum.

Oh, the torture! It was almost as painful to watch as it was to imagine for the character strapped to the table!

The series kept a few of our favorite leads from the first year (Jessica Lange, Evan Peters) and brought back a few of the supporting cast (Frances Conroy, Lily Rabe, Sarah Paulson, and Zachary Quinto) as well.  But no one returning for season two played the same character—Constance (Lange), Tate (Peters), Moira (Conroy), Nora (Rabe), Billie Dean (Paulson), and Chad (Quinto) were gone; instead, we had Sister Jude (Lange), Kit (Peters), The Angel of Death (Conroy), Sister Mary Eunice (Rabe), Lana (Paulson), and Dr. Oliver Thredson (Quinto).

Oh, Sister!

New characters were also introduced in season two with well-known actors and actresses accepting the roles (Joseph Fiennes, James Cromwell, Chloe Sevigny, Adam Levine, and Mark Consuelos to just name a few).

But not only did the characters change, the story was completely different.  Instead of the Murder House, we had Briarcliff—the mental hospital/insane asylum—where again, it seems no one ever really escapes.  Unlike the first season, which took place in the present, season two takes place in the 1960s for the most part.  Instead of the theme of infidelity like in season one, season two focuses largely on themes/things that could have happened, have happened and were rumored to have happened, and might possibly happen again in the future, making it even creepier than season one… if that’s at all possible.

In lieu of the creepy and spooky, the stories were primarily dark, twisted, and extremely bothersome… bordering on disgusting.   Perhaps one of the reasons season two was so gripping was because of the controversial storylines: aliens, demonic possession, abuse at the hands of medical professionals and the Catholic Church, the inhumane treatment of those locked away in the mental hospital/insane asylum… all simply because those in charge could get away with it.  As mentioned before, all of these things could have happened in real life, have happened, and will quite possibly happen again in the future.  That’s why American Horror Story: Asylum was scary—different from the purely suspenseful themes in the first year.

“If you look in the face of evil, evil’s gonna look right back at you.”  ~ Sister Jude to Lana

One’s worst nightmare… being locked up against one’s own will and experiencing a horrible torture with no end in site. Creepy, right?

For me, I enjoyed the first year more than the second…  as far as the story is concerned, anyway.  The acting and characters?  They were still just as impressive.  Once again, Jessica Lange and Even Peters carried the show with help from American Horror Story alumni Sarah Paulson and Zachary Quinto.  I watched every single week just for the cast.  Now, I’m not saying season two was bad, just different and not as good in my opinion.  In keeping with the first year, the unique storytelling, twists, and revelations of Asylum were simply genius and still unlike anything else on TV today.

For the most part, there was one central theme/mystery in AHS: Asylum—Bloody Face.  In the ‘60s, a man murdered and skinned women.  One young man was arrested for the crimes and sentenced to Briarcliff, but he never wavered and always declared his innocence.  Was he Bloody Face?  Of course not; that would have been too easy.  The identity of the real Bloody Face was a twist all its own.  But that’s all I will say—no spoilers here.

I will say this though: I loved how almost every single actor/actress from season one, if not cast as a major or supporting character in two, was at least cast in a recurring role or cameo appearance in Asylum.  Almost everyone… Connie Britton didn’t appear once, and that was a bummer, but understandable considering her new hit on ABC (Nashville).  And just when I was beginning to think Dylan McDermott wouldn’t make an appearance either, he did.  And WHAT a role he played!

Oh, Johnny. Johnny. Johnny. Johnny.

Like its predecessor, American Horror Story: Asylum closed just as nicely as the first… perhaps even better.  Every story was wrapped up in a big red bow with no questions or cliffhangers left dangling.  We know a season three has already been announced, leaving us with just one question: what in the world can we look forward to next year?

What do you think?  Did you watch American Horror Story: Asylum?  Did you prefer season one or season two?  I’d love to hear from you!

Tele-Tuesday: Anxiously Awaiting the Return of American Horror Story

Over these last few weeks, The Ooo Factor has introduced seventeen new programs to the 2012 television schedule.  But what about our returning favorites?

By now, I think everyone knows just how much I loved a few of the new dramas last year.  When asked which one I enjoyed most, I have a difficult time choosing (all three are very different).  First, we have ABC’s Revenge, where we watch the angry, yet beautiful protagonist Emily Thorne exact vengeance against all those who destroyed her family years earlier.  Next, we have CBS’s Person of Interest, where we watch the Jack Bauer-Raylan Givens-like protagonist John Reese kick bad guys around each and every week.  Then we have American Horror Story

FX did it again in the 2011/2012 season with yet another fantastic original drama to add to its list of past successes.  Joining the likes of Nip/Tuck, Damages, and Justified, American Horror Story kept with the creepy and dark story lines and didn’t disappoint!

To recap:

Following a miscarriage and an affair, Vivien and Ben Harmon leave Boston with their daughter looking for a fresh start.  The family buys a gorgeous house, despite learning that the previous owners both died in the basement in an apparent murder-suicide.

The Harmon Family…

The house is perfect for the Harmons; large enough for Ben (Dylan McDermott, The Practice) to open his private psychiatry practice, and outdated just enough to keep Vivien (Connie Britton, Friday Night Lights) busy redecorating.  At first daughter Violet (Taissa Farmiga) doesn’t understand why the family has to move across the country, but she soon adjusts after she meets her father’s new patient and fellow “cutter” Tate (Evan Peters).

The family’s new neighbors stop by to introduce themselves: Constance (Academy Award winner, Jessica Lange) and her daughter Adelaide. Constance warns Vivien that Addy has always been attracted to the Harmon’s new home and tends to walk in as she pleases, but fails to disclose that she too has a long history with the house.

Next, Vivien meets Moira, the house’s former housekeeper.  After briefly visiting with Moira, Vivien decides to hire her to help tend to the house.  But here’s the creepy part – Vivien sees Moira as an older woman (played by Frances Conroy, Six Feet Under), but her adulterous husband sees Moira as a young and sexy maid (played by Alexandra Breckenridge, Dirt).

Regardless of which version of Moira is on screen, Constance can’t stand her.  Years earlier, young Moira was sleeping with another former owner of the house (played by Eric Close from Without a Trace), a man who Constance loved.  After walking in on Moira and her lover having sex, Constance shot and killed them both.  Constance didn’t bother to notice that her boyfriend was forcing himself onto the beautiful housekeeper; instead, she just shot point-blank into Moira’s eye before taking dead aim at his chest.

Following a home invasion of crazy people reenacting a previous murder that allegedly took place in her house in the 1960s, Vivien decides to hop on board a tour bus that stops outside her new home to learn a bit of history about the house—The Murder House.

The Murder House… aka the Harmon residence.

The house was built in the early 1900s by a Dr. Charles Montgomery for his wife, Nora.  Suffering from a down economy, the doctor performed abortions inside the house for extra money.  It was not long before an angry family member of one of Charles’ patients kidnapped and murdered his son.   The events destroyed the family, particularly Nora, but when the doctor sewed his son back together like a Frankenstein monster, his wife lost it.

In the 1960s, a group of sorority girls lived in the house.  Maria, a devout Christian, answered the door to find a bleeding man on the front porch.  She brought him inside and called upstairs for the house nurse to help—but it was a set-up.  The man and his friends drowned the nurse, and hog tied and brutally murdered Maria.

Learning of these additional stories about her house, Vivien decides she has heard enough.  Noticing blood, she jumps off the tour bus and rushes to the doctor afraid she’s suffering another miscarriage.  Her baby is fine, but despite her doctor’s warning to not attempt a move during pregnancy, Vivien insists they sell the house.

In addition to the legends that Vivien has already heard, the house has an even longer history of death making it difficult for the realtor (Christine Estabrook, Desperate Housewives) to show the house.

In the 1970s, the house was vacant and a set of red-headed twin tweens enjoyed vandalizing the property.  Young Adelaide warned the two to not go inside, but they ignored her and continued to break lights and wreak havoc on the house.  After entering the basement, the two boys were murdered.

Look behind you, Vivien!

Another previous owner, Larry Harvey (Denis O’Hare, True Blood), set the house on fire while his wife and daughters slept—or did he?  Regardless of how the fire started, he too burned, but was spared before perishing himself.  After serving years of his life sentence in prison, he was diagnosed with an advanced stage of brain cancer and was released to live out the remainder of his days a free man.  Now free, Larry begins to stalk Ben and warns him that he must get his family out of that house…

On Halloween 2010, gay lovers Chad (Zachary Quinto, Heroes) and Patrick (Teddy Sears, Raising the Bar) died while preparing to celebrate the festive holiday.  Following a fight, Patrick stormed off and a mysterious man dressed in rubber drowned Chad in his apple-bobbing station.  Attempting to mend fences with his lover, Patrick rushed home wearing his Halloween costume and discovered his partner’s body before suffering his own untimely death at the hands of The Gimp.  As we can see, the previous owners did not die in a murder-suicide, as the realtor tells it, but rather a double homicide…

The Gimp… or is that Ben? Or Tate? Who is wearing the creepy rubber suit?

Past events continue to unfold, but remember one of the reasons why the family moved away from Boston?  Ben had an affair with his student (Hayden played by Kate Mara from We Are Marshall).

Hayden announces she is pregnant and shows up at the Harmon house hoping to convince Ben to take care of her or warns she will ruin his marriage.  Crazy Larry takes a shovel to Hayden’s head and Ben covers up the murder by burying her in a grave in the backyard.  As Larry sees it, Ben now owes him; and the house has a new ghost lingering around.

Speaking of the grave, there were other bodies down there—Moira for one.  Constance explains this is why the slain housekeeper is forever tied to the house, especially after Ben builds a gazebo to cover up Hayden’s body.  But are there other bodies down there too?

Tate, Constance, and Moira watch as yet another falls victim…

And this is just early into season one… the really good thing about American Horror Story is that the show actually answered many of our questions, including:

Who is The Gimp?
What happened to Tate?
What happened to Constance’s other children, and is she a ghost?
What happened to Mrs. Montgomery?
Will Addy be tied to the house along with the other ghosts?
Will the Harmons escape The Murder House?
And, who is the father of Vivien’s baby, her husband or the man in the rubber suit?

But unlike most television dramas, season two brings us an entirely different story and cast.  Instead of a family moving into The Murder House, this year the story takes place in an asylum.  Instead of playing Constance, Jessica Lange now plays Sister Jude.  Instead of playing Chad, Zachary Quinto now plays Dr. Thredson.  Instead of playing Tate, Evan Peters now plays Kit Walker.   And, instead of playing Nora, Lily Rabe now plays Sister Mary Eunice.  Other than this, the entire cast of American Horror Story season two is new:  James Cromwell, Joseph Fiennes, Adam Levine, Chloe Sevigny, Clea DuVall, and Mark Consuelos to just name a few.

I won’t lie; a part of me is sad that the story of season one died along with… well, I don’t want to give anything away.  But after seeing what the writers and creators were capable of last year, I will be one of the first to press play on my DVR October 17th when American Horror Story: Asylum premieres on FX.

Did you watch American Horror Story?  What do you think about the change in location and cast for season two?  Which non-returning character will you miss most?  Which new character are you most looking forward to?  I’d love to hear from you!

Friday FabOoolousness – “Vengeance is Mine”

It’s time again for Catie Rhodes and I to break down another cinematic original and its remake.  Last month’s switch-up felt a bit uncomfortable, so we went back to our original ways—Catie reviews the original and I take on the remake.  This month we discuss Cape Fear.

Usually, I include Catie’s Homeade Summary that applies to both films.  But this time, I tweaked it just a bit to fit the 1991 release:

Sam Bowden is a small town attorney who has always relied on the legal system to dole out justice.

Max Cady  is a violent sociopath just released from prison after serving a fourteen year sentence for rape.

Cady blames Bowden for the years he lost in prison, and he’s ready to serve up some revenge.  He stalks the family, poisons the dog, and moves in on all of the women in Bowden’s life.   

But, in the eyes of the law, Bowden can’t prove Cady has done anything.  Cady has been careful to do everything but break the law.

Sam Bowden decides it’s time to make his own justice in order to stop Max Cady from destroying his family…and getting away with it.

Anytime a studio attempts to remake a classic, like it did the 1962 Cape Fear starring Gregory Peck and Robert Mitchum, they must hire the same caliber star-power.  Amblin Entertainment and Martin Scorsese did just that…

First, let’s talk about the character of Sam Bowden, played by Nick Nolte.  Sam is a lawyer in the small town of New Essex, North Carolina.  He’s married to Leigh (Jessica Lange) and they have a fifteen year old daughter, Danielle (Juliette Lewis).    The Bowden family seems happy in their new home, despite Dani’s normal teenage rebellion that lands her in summer school.

Sam, on the other hand, is happy for a different reason—he has a budding relationship on the side with a woman from the District Attorney’s office.  I personally found it difficult to like the patriarch in this movie—he has misrepresented a client (Cady, but more on that below), even if it was years ago; he intends to cheat on his wife, even if he hasn’t consummated the affair just yet; and he’s as arrogant as all get out.

Now, let’s talk about the character of Max Cady, played by Robert De Niro.  As always, De Niro perfects his portrayal of the crazed and vengeful Cady, angry for spending years in prison when there was evidence that potentially might have lightened his sentence.  He uses his time in jail to learn to read and fight his own appeals… and to perfect his body art.

After his release, he focuses all of his new-found knowledge on seeking revenge against the public defender who cheated him out of a fair trial.  He travels to New Essex, hunts down Sam Bowden, and plays an evil game of cat and mouse while planning his ultimate vengeance—raping Bowden’s wife and daughter.

And let me just say, there is nothing quite as creepy as a muscled-up De Niro (rumors say he worked his way down to four percent body fat for this role), hanging upside-down on a workout bar, and smiling with his mischievous grin as he talks his way into Danielle’s school day…

Catie mentions the 1962 film was controversial for its time; I wouldn’t so much say the remake was controversial, but it was dark (literally and figuratively; at times the cinematography flashed from color to x-ray or night-vision-like images), inappropriate (theater scene between Cady and Danielle), and disgusting (the “cheek” scene, for those who have already seen the movie).

As with any film, or at least it should be true of every movie, the dialogue is strong—particularly with the element of foreshadowing.

Sam to his wife… “He’s not going to do anything.  He just got out of prison.  He doesn’t want to go right back.”
Cady to Sam… “You’re gonna learn about loss.”

And then there’s the occasional line that makes you laugh, or at least say, “Huh?”

“Debauchery—it’s a three syllable word.”

Um, no; it’s not.

Then there’s the music, and much like Psycho (last months’ review), the score is creepy…

While I can’t attest to whether or not the remake is better than the original—because I shamefully haven’t seen the older of the two—the film did feature three stars from the 1962 classic: Gregory Peck, the original Sam Bowden, plays Cady’s attorney in the remake; Robert Mitchum, the original Cady, plays a police officer ; and Martin Balsam, the original Police Chief, plays a judge .  It says a great deal when the originals will come back and play a small part in a new version of a very successful film from their past—doesn’t it?

Even though I can’t claim the remake is the better of the two, Scorsese’s film is worth seeing—even if it’s for the always enjoyable Robert De Niro and young Juliette Lewis.  I vaguely remember seeing the movie in the early ‘90s when it was a new release, but I couldn’t help  but smile at the teenage pop culture references used in the film when I watched it recently—like Danielle’s Swatch telephone, the Jane’s Addiction music video, and the music of Guns N’ Roses.

Cape Fear is a great psychological thriller.  I mean, what’s worse than fearing for your own life?  Watching those around you suffer for your own actions…

What do you think?  Have you seen either the original or the remake of Cape Fear?  If you’ve seen both, which do you prefer and why?  If you haven’t, do you want to?  I’d love to hear from you! 

Remember to stop by Catie’s blog discussing the original if you haven’t already.  And be sure to check out her blog post today – Robert Mitchum’s Life of Crime

Tele-Tuesday: Creeping Through the Murder House

Yesterday was Halloween, so in keeping with the previous week’s Tele-Tuesday theme and the spooktacular holiday, we are taking a walk through FX’s new thriller – American Horror Story.

FX does it again with fantastic original programming.  Joining the likes of Nip/Tuck, Damages, and Justified, American Horror Story keeps with the creepy and dark story lines and doesn’t disappoint!

Following a miscarriage and an affair, Vivien and Ben Harmon leave Boston with their daughter looking for a fresh start.  The family buys a gorgeous house, despite learning that the previous owners both died in the basement in an apparent murder-suicide. 

The house is perfect for the Harmons; large enough for Ben (Dylan McDermott, The Practice) to open his private psychiatry practice, and outdated just enough to keep Vivien (Connie Britton, Friday Night Lights) busy redecorating.  At first daughter Violet (Taissa Farmiga) doesn’t understand why the family has to move across the country, but she soon adjusts after she meets her father’s new patient and fellow “cutter” Tate (Evan Peters).    

The family’s new neighbors stop by to introduce themselves: Constance (Academy Award winner, Jessica Lange) and her daughter Adelaide. Constance warns Vivien that Addy has always been attracted to their new home and tends to walk in as she pleases, but fails to disclose that she too has a long history with the house.   

Next, Vivien meets Moira, the house’s former housekeeper.  After briefly visiting with Moira, Vivien decides to hire her to help tend to the house.  But here’s the creepy part – Vivien sees Moira as an older woman (played by Frances Conroy, Six Feet Under), but her adulterous husband sees Moira as a young and sexy maid (played by Alexandra Breckenridge, Dirt).   

Regardless of which version of Moira is on screen, Constance can’t stand her.  Years earlier, young Moira was sleeping with another former owner of the house (played by Eric Close from Without a Trace), a man who Constance loves.  After walking in on Moira and her lover having sex, Constance shoots and kills them both.  Constance doesn’t bother to notice that her boyfriend was forcing himself onto the beautiful housekeeper; instead, she just shoots point-blank into Moira’s eye before taking dead aim at his chest.    

Following a home invasion of crazy people reenacting a previous murder that allegedly took place in her house in the 1960s, Vivien decides to hop on board a tour bus that stops outside her new home to learn a bit of history about the house — The Murder House.

The house was built in the early 1900s by a Dr. Charles Montgomery for his wife, Nora.  Suffering from a down economy, the doctor performs abortions inside the house for extra money.  It’s not long before an angry family member of one of Charles’ patients kidnaps and murders his son.   The events destroy the family, particularly Nora, but when the doctor begins to sew his son back together like a Frankenstein monster, his wife loses it. 

In the 1960s, a group of sorority girls live in the house.  Maria, a devout Christian, answers the door to find a bleeding man on the front porch.  She brings him inside and calls upstairs for the house nurse to help — but it’s a set up.  The man and his friends drown the nurse, and hog tie and brutally murder Maria. 

Vivien has heard enough.  Noticing blood, she jumps off the tour bus and rushes to the doctor afraid she’s suffering another miscarriage.  Her baby is fine, but despite her doctor’s warning to not attempt a move during pregnancy, Vivien insists they sell the house.   

In addition to the legends that Vivien has already heard, the house has an even longer history of death making it difficult for the realtor (Christine Estabrook, Desperate Housewives) to show the house.    

In the 1970s, the house was vacant and set of red-headed twin tweens enjoy vandalizing the property.  Young Adelaide warns the two to not go inside, but they ignore her and continue to break lights and wreak havoc on the house.  After entering the basement, the two boys are murdered. 

Another previous owner, Larry Harvey (Denis O’Hare, True Blood), set the house on fire while his wife and daughters slept.  He too burned, but was spared before perishing himself.  After serving years of his life sentence in prison, he was diagnosed with an advanced stage of brain cancer and was released to live out the remainder of his days a free man. 

Larry begins to stalk Ben and warns him that he must get his family out of that house…

On Halloween 2010, gay lovers Chad (Zachary Quinto, Heroes) and Patrick (Teddy Sears, Raising the Bar) die while preparing to celebrate the festive holiday.  Following a fight, Patrick storms off and a mysterious man dressed in rubber drowns Chad in his apple-bobbing station. 

Attempting to mend fences with his lover, Patrick rushes home wearing his Halloween costume and discovers his partner’s body before suffering his own untimely death at the hands of The Gimp.  As we can see, the previous owners did not die in a murder-suicide, as the realtor tells it, but rather a double homicide.     

Past events continue to unfold, but remember one of the reasons why the family moved away from Boston?  Ben had an affair with his student (Hayden played by Kate Mara from We Are Marshall). 

Hayden announces she is pregnant and shows up at the Harmon house hoping to convince Ben to take care of her or warns she will ruin his marriage.  Crazy Larry takes a shovel to Hayden’s head and Ben covers up the murder by burying her in a grave in the backyard.  As Larry sees it, Ben now owes him; and the house has a new ghost lingering around.

Speaking of the grave, there were other bodies down there: Moira for one.  Constance explains this is why the slain housekeeper is forever tied to the house, especially after Ben builds a gazebo to cover up Hayden’s body.  But are there other bodies down there too? 

All this after just four episodes…    

What do you think?  Have you watched American Horror Story?  Who is The Gimp?  What happened to Tate?  What happened to Constance’s other children, and is she a ghost?  Speaking of Constance, isn’t Jessica Lange magnificent?   What happened to Mrs. Montgomery?  Will Addy be tied to the house along with the other ghosts?  Will the Harmons escape The Murder House?  Who is the father of Vivien’s baby, her husband or the man in the rubber suit?  There are so many questions…I’d love to hear what you think!

Tele-Tuesday: Fall Brings More Laughs…and adds Dinosaurs and Screams

It’s that time of year again!  The fall television schedule is right around the corner and, as always, the networks have a lineup of many new programs to accompany our returning favorites. 

This is week three, and we’re still introducing more of the new television programs this fall.  Some of the series have promise, while others may flop – but, regardless, we’ll tune in to check them out!

Today, it’s time for even more new comedy, plus a new sci-fi program and horror series!

*****

Terra Nova – FOX

Fox joins the science fiction revolution with Terra Nova, a story that follows a family’s journey back in time to pre-historic days searching for answers to protect the human race in 2149.  The land seems perfect, except for a few life threatening downfalls –dinosaurs and renegades known as the Sixers. 

Terra Nova stars Jason O’Mara (Life on Mars) as Jim Shannon, the family’s patriarch and sheriff of the Terra Nova colony, and Stephen Lang (Gods and Generals, Avatar) as Commander Nathaniel Taylor, the leader of Terra Nova.      

Other notables: Steven Spielberg serves as an executive producer along with other members of the 24, Falling Skies, and Fringe teams.   

Terra Nova premieres Monday, September 26th.

*****

Suburgatory – ABC

Suburgatory follows single dad George Altman (Jeremy Sisto, Law & Order and Clueless) as he relocates with his teenage daughter, Tessa, from New York City to a suburban neighborhood.  Tessa immediately feels that her father has moved her into another dimension with all of the seemingly perfect families, and is mortified by the perky mothers and plastic surgery obsessed teenage girls. 

Will George and Tessa survive their life inside their very own suburban purgatory? 

Other notables: Suburgatory also stars Cheryl Hines (Curb Your Enthusiasm) as Dallas Royce (perfect rich suburban mom name, right?), Alan Tudyk (Firefly, Dollhouse), and Saturday Night Live alums Chris Parnell (Archer) and Ana Gasteyer. 

Suburgatory premieres Wednesday, September 28th.

*****

How to be a Gentleman – CBS

How to Be a Gentleman stars David Hornsby (It’s Always Sunny in Philadelphia, Six Feet Under) as Andrew Carlson, a writer assigned with the task of adding sexiness to his column.  The problem?  Andrew isn’t all that familiar with sexiness.  

Therefore, Andrew hires Bert Lansing (Kevin Dillon, Entourage), a friend and current fitness trainer, for guidance.  The phrases “opposites attract” and “night and day” come to mind when researching this new comedy. 

Other notables: How to be a Gentleman is based on a book of the same name by John Bridges, and also stars funny man Dave Foley (The Kids in the Hall, Celebrity Poker Showdown), and Jack Bauer’s right hand woman, Chloe O’Brian – aka Mary Lynn Rajskub (24). 

How to Be a Gentleman premieres Thursday, September 29th.

*****

American Horror Story – FX

From the creators of the FX great, Nip/Tuck, American Horror Story stars Dylan McDermott (The Practice, Dark Blue) and Connie Britton (Friday Night Lights) as husband and wife, Ben and Vivien Harmon.  FX usually keeps “mum” on their new series; however, we do know that Ben and Vivien move into a haunted mansion….and the story is spooky!    

Other notables: American Horror Story also stars Francis Conroy (Six Feet Under), Denis O’Hare (True Blood), and Zachary Quinto (Heroes, Star Trek), as well as Hollywood great and Academy Award winning actress, Jessica Lange (King Kong, Tootsie, Cape Fear, need I say more?). 

Isn’t the cast alone worthy of a watch?

American Horror Story premieres Wednesday, October 5th.

*****

Last Man Standing – ABC

Last Man Standing brings comedian great Tim Allen (Home Improvement, The Santa Clause movies) back to television as Mike Baxter, an adventurous “manly-man” working for an outdoor sporting goods store.  But, when Mike gets home, he’s surrounded by women: his wife (Nancy Travis, Three Men and a Baby, Becker, and The Bill Engvall Show) and three daughters. 

How will Mike adapt when his wife goes back to work and he has to stick around the house a bit more? 

Other notables:  Last Man Standing also stars Hector Elizondo (Chicago Hope, Monk) as Ed, Mike’s boss. 

Last Man Standing premieres Tuesday, October 11th.

*****

What do you think?  Will you tune in to watch any of these new shows?  Which one most interests you?  Which of these shows will make it and which ones won’t? I’d love to hear from you!

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